What is Data?

The process of Quantification of Data, created by Biliana K. is an Unique Artistic Concept, that transforms any ordinary Data Input, into new state of the matter, as Digital Mass, by introducing the Digital Mass Particles, that literally attributes Mass and Energy to Data.

BILIANA K. introducing the process of Data Quantification as unique Artistic concept, at IDTechExShow, Santa Clara, CA, USA, Nov 20-21, 2019.


The core of powerful new Technology that transforms Your_Data_As_Art_Work.
For the first time an Artistic Concept generates a pure technological artifact with unique technical characteristics and parameters as Mass, Digital Mass Particles, Object, Energy, combined with unique poetical and Human Dimensions, as the Constant A, The Artist, that generates the uniqueness of the process of Data Quantification by manually engaging with the Digital Mass and making it impossible to be replicated and reproduced, by attributing a signature/time stamp.
The process of Data Quantification and the resulted unique Art Work, aims at delivering to people an unique personal product, with which you can develop affinity and ultimately fall in LOVE.

Powerful Artistic concept that gives birth to a new potent technology, in order to generate a technological artefact with pure poetic dimension.



What is Art in 21st Century?

Your Data, genuine and authentic to each person, will be transformed into pure Art Work, where desire and necessity to transcend reality, inhabit this virtual and physical artefact of Quantified Data. So you can leave with it, so it can last forever and remains relevant for the future people that will leave around it.


Combining COMPUTING and MEMORY, Biliana K. creates and unique ArtWork from the personal Data of each individual and the memory that it encapsulates at each individual moment in time.

Each Art Work is containing different aspects of what makes as humans, emotions, thoughts, desires. The personal data contains all these different aspects of human existence and experience, being captured at any given time.
With humans, perhaps what’s uniqueness we have is self-awareness, we are able to reflect on our own awareness.
By the actual fact of commissioning an Art Work from Biliana K, and entrusting me with your Data, you exercise the ultimate human act of self awareness, ultimately empowering and exercising the ultimate human experience of transcending your own reality, independently of where you are, who you are, old or young, rich or poor, educated or not, gender, race.
The Art Work is the fusion of the Physical Self (Body, environment parameters) Digital Self (Data parameters) and Human Self (emotional parameters).

Connected Art at WhiteBox NYC

“A brand-new concept (#connectedart) advocating an ultimate synthesis of art and technology (#arttech)

Biliana K. is a start-up company and ongoing social project endeavouring to merge the worlds of technology and art in new, open-ended ways. Created by Bulgarian multidisciplinary artist @Biliana K, the company aims to curate, construct and craft digital sculptures assembled from fully automated digital data collection processes.
Termed as “Connected Art” by the artist, individual “nodes” of data, drawn from the entire ecosystem of the “Internet of Things,” become the coordinates for virtual structures, crafting a dematerialized entity out of the facts and figures of human experience.”
The Art of Technology at White Box NYC, April 20-28, 2018, NYC



Connected Art

A new form of art, build through masses of Data crushed and turned into pieces of Art, forming Physical and Digital Object/Sculpture. Digital Mass, DATA, is the building matter of this new Art. Unique Data, in a total Autonomous Database.

Data is constructed and processed not to reach a meaningful end, but to reach a state of Absurdity, where Art becomes Tech and Tech becomes Art. Unique Data, in a Unique Autonomous Format: APP/ARTWORK/PRODUCT The Data, Digital mass is put back into different End Formats of all underlying Technology’s and formats of the IoT. It is all made possible via web, mobile APPlication, VR and 3D.

As Art is continuously evolving, so is our concept. The concept of this unique Art Work is embedded in the IoT .

The goal is to achieve a constantly expanding Digital Mass. Max amount of Data, in min amount of Space. We are building our Platform, that will allow us:
  • Maximum Input of Data
  • Maximum processing of Data
  • Maximum out puts in End Formats
  • Maximum connectivity
The company Biliana K. is “patent pending” in the US.

Decades of research into dematerialisation as a state, led Biliana K. into identifying the phenomenon of digitalization and its immaterial state as the “primal informational matter” or pure Digital Mass. The purpose is to build and construct the body of a totally dematerialised work of art. The notion of an infinite body of the Artwork is no longer seen as philosophical, but it is translated and constructed into a technological format through Applications.

Based in Geneva, the artist of Bulgarian origin Biliana K Voden Aboutaam has graduated from the Fine Arts Academy of Brera in Milan in scenography and art history. During her studies, she has already shown an interest in the theatrical language of the avant-garde, which does away with the narrative and the units of time and action, until all that remains on stage is without syntax and alphabet: the void.
And this is what Biliana K. Art and Technology is here to do. The company is a start-up hybrid that merges two different formats: combines the unique fundamentals of a tech company with that of an art work. It is based on Biliana’s artistic experience and research over decades, of the state of dematerialization, but it has always been a process that took place in the ArtWorld, up to 2016.

With the progress over the years, her Art Work has become essentially Digital with the first digital painting done in 2004 and the first digital Sculpture done in 2007. The process of Digitization is seen as a visual rapture, that literally destroys the traditional codes of visual representation.

Inevitably over time, this path brought her to establish an artistic practices based on fully automated mechanical and technological Digital Data processes, that defined the actual Art Work, of the limits of traditional visual representation.

The Art of Technology

The Questions were disturbing and exhilarating at same time: First: What do you do with an ArtWork that is totally immaterial and intangible, in full technological format and with no visual content whatsoever?

Second: How do you show and communicate an ArtWork in Application Format, are the Galleries and Museums still the place for this immaterial entity, based exclusively on Digital practices?

Third: what platform this Immaterial Entity belongs to? The Fundamental Question that I asked myself was: What is Art in 21st Century

The End of Representation as we know it!

All the questioning had led to the creation of a new Universe which has sprung a new form of an Artwork. This new presentation of the Artwork is completely nurtured by systems. In this new ecosystem of Internet of Things and the immaterial body, the Artwork merges into an Application and becomes the fundamental part of this Digital Universe.

Work is constructed to reach its meaningful end only where Technology becomes Art and Art becomes Technology, forming a new type of Art: The Art of Technology.


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